2) How does Hill define reality TV? Describe his
definitions in the context of a contemporary Reality TV show.
Hill (2005) describes reality TV
not as a one-dimensional genre, but a hybrid genre influenced by various
television styles and formats, further utilising ‘popular factual entertainment’
as a broad term for it. Some of the most common techniques of reality TV include “non-professional actors,
unscripted dialogue, surveillance footage, hand-held cameras, [and] seeing
events unfold [live]” (Hill, 2005, p.41). When reality TV first gained
popularity, Hill (2005) explained that much of the content was based on law and
order, or emergency services with shows like Animal Hospital concerning animal welfare. In recent times, reality
TV is linked to “anything and everything, from people to pets, from birth to
death” (Hill, 2005, p.41). Hill (2005) then categorises reality programming
into three waves: first being ‘infotainment’ which are the aforementioned crime
and emergency services; secondly, ‘docu-soaps’ or popular observational documentaries
and lifestyle programmes; and third, ‘reality gameshows’ where ordinary people are
placed into controlled environments to co-exist and/or compete with each other.
Nowadays, reality TV is popularised
as “telling stories about real people and real events in an entertaining style”
(Hill, 2005, p. 39). However, due to this entertainment factor, the
authenticity of how these stories and events are structured are often questionable.
For example, the reality show Keeping up
with the Kardashians [KUWTK] centres on the lives of the Kardashian family.
Originally, the only remotely familiar name from the Kardashian clan was Kim for
being a celebrity stylist. However, thanks to transforming into a global fashion
icon, and her high-profile relationships with NBA player, Kris Humphries, and
current husband, world-renowned Rapper, Kanye West, Kim has firmly established
her own name in the media. Also, her stepfather, Caitlyn Jenner (formerly Bruce
Jenner) was an Olympic gold medallist. Despite their family not being
completely ‘ordinary’, in that sense, their ‘real’ lives are still being
documented, and are very much unscripted, with numerous accounts of sibling fights
and family arguments being aired to the public. Although, all scenes from KUWTK
are evidently manipulated and edited to show a certain angle, at the end of the
day, their show does depict a view of a ‘normal’ family, albeit one much
wealthier, with the same tussles any other ordinary family has. Therefore, whether
it’s from relatability or the complete opposite, many people find enjoyment in
watching reality TV because of “the mass appeal of entertainment stories about
real people caught on camera” (Hill, 2005, p. 39).
References
Hill, A. (2005). The reality genre. In A. Hill, Reality TV: Audiences and popular factual
television. (pp. 14–40). Oxon: Routledge.
Good, thanks Shell.
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